Biography
I am a(n) (ethno)musicology and sound scholar and returning singer-songwriter working as an Andrew W. Mellon Postdoctoral Fellow in Music (2024–2026) at Dartmouth. My scholarly work crosses disciplinary and methodological boundaries by integrating ethnographic materials with historical archives and employing dynamic intermedial methods. Broadly speaking, I avidly ruminate on the theoretical and phenomenological entanglement of sound, auralities, and power to grapple with issues about why sound matters and how the sonic/listening being lives in situations of the everyday. At Dartmouth, I am developing my first monograph, which expands the scope of my hybrid-mode dissertation, "Sounding Freedom: Political Aurality and Sound Acts in Hong Kong (Post-)Protest Spaces," to study the dynamics of sound in Hong Kong's urban spaces where protests happened and now disappeared, and the sonic and affective currents circulating through the Hong Kong diaspora and transnational protests in North America and beyond. My doctoral studies in Music at the University of Pennsylvania (Penn) as a Benjamin Franklin Fellow (2018–2022, 2023–2024), Tarnopol Graduate Fellow (2020–2021), and Price Lab Andrew W. Mellon Mid-Doctoral Fellow in Digital Humanities (2022–2023) led to methodological experiments with intermedialities and field materials to craft spaces for sensory experience to create ethnographies and historical archives. I also study performed vocalities in singing and everyday living and the acoustemological mode of listening, particularly in Asian cultures and the Sinophone world. I gratefully received the James T. Koetting Prize (2024), SEM 21st Century Fellowship (2023), Penfield Research Award (2022), Charles Seeger Prize (Honorable Mention in 2021), and Rayson Huang Scholarship in Music (2017). I gained a Graduate Certificate in Experimental Ethnography and a Graduate Certificate in Digital Humanities from Penn.
As a global citizen and a young intellect focusing on sonic contestation, I maintain one belief: music and (ethno)musicology come with a social obligation. Being born and raised in Hong Kong, my city's 2014 Umbrella Movement was a turning point that reoriented my life from becoming a fledgling singer-songwriter (winner of the Best Music Video Award from Sony Music Entertainment Hong Kong in 2013) to a junior music/sound scholar working on protest sounds. I graduated from an M.Phil. in musicology at the University of Hong Kong (HKU) with a thesis entitled "Sound and Nonviolence: Music as Political Action in Hong Kong" (2017). That metamorphosis has evolved into my academic and personal mission—to be a candid sound scholar and being. In addition to my ongoing intermedial productions and research on power dynamics in (un)sounding social spheres, I am rebuilding my interests as a scholar/performer, concentrating on Sinophone/East Asian R&B and pop music and Cantopop.
Since 2014, as a teaching assistant at HKU and subsequently an instructor in music at Penn, I have taught courses ranging from global popular music to Common Core courses covering multiple musical topics for classes composed primarily of non-music majors. I was invited as a guest speaker to a multimodal workshop at Penn's Law School (2021), a Cantopop class at the Chinese University of Hong Kong (2023), and a lecture in Professor William Cheng's course, Music and Social Justice, at Dartmouth in October, 2024. I will be teaching a course in the second year of the postdoctoral fellowship.
Education
B.A. (Hons), Music, The University of Hong Kong (2013)
M.Phil., Musicology, The University of Hong Kong (2017)
Ph.D., Music - Ethnomusicology, University of Pennsylvania (2024)
Dissertation
"Sounding Freedom: Political Aurality and Sound Acts in Hong Kong (Post-)Protest Spaces."
*Awarded the 2023 21st Century Fellowship, The Society for Ethnomusicology.
(Advisor: Professor Jairo Moreno; Committee: Professor Steven Feld, Professor Hedy Law, Professor Timothy Rommen)
Selected Publications
"'Happy Birthday to You': Music as Nonviolent Weapon in the Umbrella Movement." Hong Kong Studies 1, no. 1 (March, 2018): 66-82.
*The article was shortlisted as one of the eight finalist works for the IBP Best Article on Global Hong Kong Studies in Humanities 2021.
Intermedial Projects
Sound installations, ethnographic documentaries, virtual reality projects, sound poems
Performance
Singing (Popular: R&B, pop; Classical: mezzo-soprano, E3 to C6)
Acoustic Guitar
Gong Kebyar (Balinese Gamelan Ensemble)
First published on: 1 June 2019
Last update: 4 October 2024